延川布堆画
Yanchuan Budui Painting
陕西延川布堆画源自广泛流行于当地民间的拨花，原为枕头顶、裹肚、鞋面、垫肩、钱包、烟袋包上的装饰物。其创作材料为棉纺织土布，染以青、赤、黄、白、黑诸色，以民间传说、戏剧人物、民俗生活、花鸟禽兽为题材，运用纯民间的复合造型法，进行贴块、拼接、镶花、堆叠、缝合，制作出极具特色的图案。画面大多夸张变形、意象生动、想像奇特、堪称陕西一绝。
The Yanchuan cloth pile painting in Shaanxi Province originated from the widely popular plucked flowers in the local folk, originally used as decorations on pillow tops, belly wraps, shoe uppers, shoulder pads, wallets, and cigarette bags. Its creative material is cotton textile cloth, dyed in various colours such as blue, red, yellow, white, and black. It takes folk legends, theatrical characters, folk life, flowers, birds, and animals as the theme, and uses pure folk composite modelling methods to patch, splice, inlay, stack, and sew, creating highly distinctive patterns. The images are mostly exaggerated and distorted, with vivid imagery and peculiar imagination, making them a masterpiece in Shaanxi.
PART 01
走近布堆画
布堆画，又称拨花、撂花、布贴画，流传历史悠悠，是延川民间艺术中的珍品。它起源于劳动人民的日常生活，由妇女们给孩子衣服打补丁演化而来，小孩子在会爬或初学走路阶段，裤子的膝盖，衫子的肘头最易磨破，需打补丁。一些心灵手巧，爱好美观整洁的妇女，对补洞生出一种新思路，即据洞口大小将补丁剪成适宜装饰的各种图形，选择宜于搭配的各色布，缝缀上去，获得一举两得之效。这种做法，不断自发传播，并由此得到启发，扩大了应用范围，逐渐应用于衣肩、衣兜、披肩、鞋头、裤脚，形成了一种装饰新招数，于是不再局限于补破洞，而且图案花样也变名。
Budui painting, also known as plucking flowers, laying flowers, or cloth stickers, has a long history and is a treasure in Yanchuan folk art. It originated from the daily life of the working people and evolved from women patching children's clothes. When children are in the stage of crawling or learning to walk, the knees of their pants and the elbows of their shirts are most easily worn out and require patching. Some clever and tidy women have developed a new idea for repairing holes, which is to cut patches into various shapes suitable for decoration according to the size of the hole, choose various colours of cloth that are suitable for matching, sew and embellish them, and achieve the effect of killing two birds with one stone. This approach has been spontaneously spread and inspired, expanding its application scope and gradually applied to shoulders, pockets, shawls, toe caps, and pants, forming a new decorative technique that is no longer limited to patching holes, and the pattern has also changed its name.
他们所创作的布堆画作品大都以传统文化、民间传说为题材，常见的有麒麟送子、门神、照雀老汉、龙王爷、灶君等等；而以郭如林、刘洁琼、高丽萍等为代表的中青年作者大都以现实生活为题材，展示他们对生活的强烈感受，作品寓意深刻，充满了生命的张力。我相信随着中国西部大开发步伐的迈进，延川布堆画这门古老的民间艺术仍会在不断探索中发展下去，同时也一定会吸引更多的中外朋友喜欢、关注这一古老的民间艺术。
Most of the cloth pile paintings they create are based on traditional culture and folk legends, with common examples such as the qilin giving birth, the door god, the old man shining on the sparrow, the dragon prince, and the kitchen god; Represented by young and middle-aged authors such as Guo Rulin, Liu Jieqiong, and Gao Liping, most of them focus on real life as their theme, showcasing their strong feelings towards life. Their works have profound meanings and are full of the tension of life. I believe that with the progress of China's Western development, the ancient folk art of Yanchuan cloth pile painting will continue to be explored and developed, and it will also attract more Chinese and foreign friends to like and pay attention to this ancient folk art.
PART 02
制作工艺
在传统民间剪纸、刺绣、壁画、布贴工艺的基础上,从生活出发,就地取材,采用不同色彩、不同质地、不同形状的布块,通过布缝和补花布饰手工艺,创造出画面具有浮雕感的布贴画.所谓布缝,就是大面积的拼贴,包括贴块、缝合、镶花和拼接;所谓补花,就是小面积的花饰纹样点缀,即在一块底布上贴、缝、镶上有布纹样的布片.Based on traditional folk Paper Cuttings, embroidery, murals, and cloth pasting techniques, starting from life, using local materials, using cloth blocks of different colours, different textures, and different shapes, through cloth sewing and patchwork cloth decoration handicrafts, creating cloth stickers with embossed images. The so-called cloth sewing is a large-scale collage, including sticking blocks, stitching, inlaying, and splicing; The so-called patchwork is a small area of floral pattern embellishment, which involves pasting, sewing, and inlaying cloth pieces with fabric patterns on a piece of fabric
Love becomes unlikely
凤尾纱：是一种染经织纬的棉布，其上有呈条带形的晕染图案，它的颜色由浅入深，有一种渐变的效果，凤尾纱是北京特有的一种纱，像凤凰的尾巴一样美丽，所以称凤尾纱；凤尾纱这种原材料的运用，使得丝绫堆绣工艺更加锦上添花。它与其它的丝织物比较起来色彩更加丰富，用这个凤尾纱作材料，在其他堆绫工艺中还没有见到。
Fengwei gauze: It is a type of cotton fabric dyed with warp and weft, with a halo pattern in the shape of a strip. Its colour changes from light to dark, with a gradual effect. Fengwei gauze is a unique type of gauze in Beijing, as beautiful as the tail of a phoenix, so it is called Fengwei gauze; The use of phoenix tail yarn as a raw material enhances the silk embroidery process. Compared with other silk fabrics, it has richer colours, and using this phoenix tail yarn as a material has not been seen in other silk weaving techniques yet.
粗布：用袋装染料直接高温染制成各种颜色,由巧手妇女剪贴而成.
纯色棉布、各种印花棉布、丝绸、绫等
Coarse fabric: Made by high-temperature dyeing with bagged dyes and cut and pasted by skilled women
Solid coloured cotton fabric, various printed cotton fabrics, silk, satin, etc
PART 03
走进布堆画
延川布堆画，它是延川人民在长期的劳动与生活中创造的民间艺术，具有广泛的群众性和鲜明的地域性，是广大劳动人民喜闻乐见的一种艺术形式。
Yanchuan cloth pile painting is a folk art created by the people of Yanchuan through long-term labour and life. It has a wide range of mass and distinct regional characteristics and is a popular art form among the working people.
布堆画与棉布相伴而生，是中国原始劳动形态——男耕女织的产物，其雏型源于陕北农村婆姨日常中的针线活。陕北黄土高原山高沟深，自然条件艰苦，整日劳作在外的汉子们的衣服磨损较快；顽皮的孩子爬坡上树，常常是补了这儿又是那儿。所以，心灵手巧的婆姨们在补钉处层层堆摞、厚厚缝衲，久而久之形成了不规则的图案，既美化生活，又耐磨耐穿。另外，婆姨们在缝制新衣的时候有意在衣服上缝缀一些动物、花草图案，以此传达自己对美好生活的追求。
Budui painting, accompanied by cotton cloth, is a product of China's primitive labour form - men ploughing and women weaving. Its prototype originated from the daily needlework of rural aunties in northern Shaanxi. The Loess Plateau in northern Shaanxi has high mountains and deep valleys, with harsh natural conditions. The clothes of the men who work outside all day wear out quickly; Naughty children climb trees uphill, often patching up one area and another. So, the clever aunties stacked and sewed thick layers of patchwork, forming irregular patterns over time, which not only beautified life but also durable and durable. In addition, aunts intentionally sew animal and flower patterns on their new clothes to convey their pursuit of a better life.
（滑动图片）
布堆画是中国西部陕北延川地区广大劳动人民在长期的劳动、生活中创造的，具有广泛的群众性和鲜明的地域性的传统民间艺术。
Budui painting is a traditional folk art created by the labouring people in the Yanchuan area of western Shaanxi, China, through long-term labour and life. It has a wide range of mass and distinct regional characteristics.
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