庆阳香包是具有悠久历史渊源的刺绣珍品，以独具匠心的艺术构思、精湛娴熟的刺绣工艺、清新典雅的天然香料、七彩丝线手工精制而成。千姿百态的庆阳香包造型丰富、图案精美、淳朴典雅、芳香浓郁，表达着人们的图腾崇拜、趋吉避邪、祈求福寿平安、子孙繁衍、爱情幸福及对美好生活的憧憬与向往。

Qingyang sachets are embroidered treasures with a long history, crafted with unique artistic concepts, exquisite embroidery techniques, fresh and elegant natural spices, and hand-crafted colourful silk threads. The diverse shapes, exquisite patterns, simple elegance, and rich fragrance of Qingyang sachets express people's totem worship, seeking good luck and avoiding evil, praying for blessings, longevity, peace, offspring reproduction, love and happiness, and longing for a better life.

#01

·· 庆阳香包的历史起源 ··

The historical origin of the Qingyang sachet

中国非遗文化之美

The beauty of Chinese intangible cultural heritage

香包，古名香囊，又叫荷包，庆阳当地俗称“绌绌”、“绌儿”、“耍活”。庆阳地方民间一直沿袭着巧女娴妇制做香包比手工，端午节赠送、佩戴香包祛邪纳福的传统习惯。中国最古老的香包是在2001年庆阳市华池县出土的，距今至少有800多年的历史，出土时仍图案如新，色泽艳丽，所以被称为“千岁香包”。

Xiangbao, formerly known as Xiangnang or Hebao, is commonly referred to as "Chuchu", "Chu'er", or "Chuhuo" in Qingyang. Qingyang local people have always followed the traditional habit of making sachets by skilful women and women, giving and wearing sachets at Loong Boat Festival. The oldest sachet in China was unearthed in Huachi County, Qingyang City in 2001, with a history of at least 800 years. When it was unearthed, the pattern was still fresh and the colour was bright, so it was called the "Thousand-Year-Old sachet".

（庆阳香包）

据记载庆阳香包形成于公元前两千三百多年，中国的著名的医学经典《黄帝内经》中就有关于香包的记载：歧伯曾携一药袋防疫驱瘟、禁蛇毒，开创“熏蒸法”，这种方法在当地渐成习俗，草药被称为“香草”，而药袋变成为“香包”。

#02

·· 庆阳香包的分类和特点··

Classification and characteristics of Qingyang sachets

庆阳香包是一种立体造型和平面刺绣兼容的纯手工艺制品，构型简单质朴，按制作技艺分有“绌绌”类、线盘类、立体刺绣类、平面刺绣类四大类型。“绌绌”又名藏针绣，其特点是把针线藏起来，以造型状物、形神兼备而不见针线为佳境，其工艺流程包括创意、选料、剪裁、状物等环节。

Qingyang sachet is a pure handmade product compatible with a three-dimensional design and flat embroidery. Its configuration is simple and rustic, and it can be divided into four types according to production techniques: "Chuchu", thread reel, three-dimensional embroidery, and flat embroidery. Chuchu ", also known as hidden needle embroidery, is characterized by hiding the needle and thread, creating a beautiful scene with both form and spirit without the needle and thread. Its process includes creativity, material selection, cutting, and shaping.

线盘类香包是用各色线条盘成五角菱形的“粽子”，其技艺包括折壳子、配色线、盘线成型、成果（即将线盘成品连缀，吊上彩穗）等，如此制成的香包可以随身佩戴，可以挂在门庭，也可以馈赠他人，以寓示祥和平安。

The thread dish-type sachet is a "Zongzi" made of various coloured lines rolled into a pentagonal diamond. Its techniques include folding shells, colour matching lines, coil moulding, achievements (that is, the thread dish finished products are connected and hung with colour spikes), etc. The sachet made in this way can be worn by people, hung in the doorway, or given to others to symbolize peace and harmony.

立体刺绣类香包内容庞杂，形式繁多，有单面挂、佩件，双面挂、佩件，立体挂件和摆件等近四百种样式，其制作过程分构图、刺绣、彩染、缝合、成果等环节，有过样子、打样子、扩背子、上样子、绣花、状物、成果、打扮等工艺步骤，制品讲究神似而不求形似。

The content of three-dimensional embroidery sachets is complex and diverse, with nearly 400 styles including single-sided hanging and accessories, double-sided hanging and accessories, and three-dimensional pendants and ornaments. The production process includes composition, embroidery, colour dyeing, sewing, and results. There are process steps such as appearance, shaping, back expansion, upper appearance, embroidery, shape, results, and dressing. The products emphasize resemblance rather than appearance.

#03

·· 香包的文化··

 The culture of dough moulding

···

Chinese National

 Geographical Indication Products

庆阳香包（绌绌）构型简单质朴，但不失美观和多样；刺绣粗拙敦厚，有浮雕和蛮荒韵味，给人以原始生命的状美感。造型五花八门，千姿百态，既是庆阳妇女世世代代对原始、传统手工技能的承袭，又是个人技能和智慧的再现。多以人类童年时期的多神崇拜和原始图腾为主题，以远古历史纹饰为主要内容，以装饰功用为目的，兼以观赏和佩戴，式样以香包为主，有挂片、衣袖、桌裙、褂子、枕顶等多种类型。

Qingyang sachet (Chuchu) has a simple and simple configuration, but it is also beautiful and diverse; The Embroidery is rough, rough, and honest, with reliefs and a wild charm, giving people a sense of primitive beauty. The shapes are diverse and varied, representing not only the inheritance of primitive and traditional manual skills by Qingyang women for generations but also the reproduction of personal skills and wisdom. The main themes are polytheistic worship and primitive totems from human childhood, with ancient historical patterns as the main content, decorative functions as the purpose, and also for viewing and wearing. The style is mainly sachet, with various types such as hanging pieces, sleeves, table skirts, jackets, pillows, etc.

庆阳香包刺绣手法多变，不讲透视，不求比例；不讲形象，只求神似；夸张变形，突出头身。各种动物香包，或大头小身、有头无尾，或有头无足、有头有身无腿，或身长蹄短，以爪代腿等。如肩头狮虎，一般头比身大，有爪无腿，既不是真实形象，又不合形体比例，完全由刺绣艺人随艺术思考刺就。庆阳妇女对生活、对环境，观察相当熟稔。她们把身边最常见的、最丰富的素材，比如花卉树木、虫鱼鸟兽、日月风云，比如楼台亭榭、几何图案，以及人物，都作为自己绣制的范畴。

Qingyang sachet embroidery techniques are varied, without emphasizing perspective or proportion; Not about appearance, only seeking resemblance; Exaggerated deformation, highlighting the head and body. Various animal sachets, with large heads and small bodies, heads but no tails, heads but no feet, heads but bodies but no legs, or long bodies and short hooves, using claws instead of legs, etc. Like a lion or tiger with shoulders, the head is generally larger than the body, with claws but no legs. It is neither a real image nor in proportion to the body and is completely embroidered by embroidery artists based on artistic thinking. Qingyang women are quite familiar with life, environment, and observation. They use the most common and abundant materials around them, such as flowers and trees, insects, fish, birds and beasts, the sun, moon, wind and clouds, buildings, pavilions, geometric patterns, and characters, as their embroidery categories.

香包的源远流长与农耕文明息息相关。庆阳是中华民族早期农耕文明的发祥地之一，20万年前这里就有人类繁衍生息，7000多年前就有了早期农耕。农耕文化最显著的一个特点是男耕女织，在生产力较为发达的前提下，妇女们在织布缝衣之余，还做些手工艺品来增添生活的乐趣。她们通过细心的观察，把身边最常见的、最丰富的素材，如花鸟鱼虫等描出来、画出来、绣出来，香包也就由此产生并流传下来。

The long history of sachets is closely related to agricultural civilization. Qingyang is one of the birthplaces of the early agricultural civilization of the Chinese nation. Humans have been thriving here for 200000 years, and early agriculture began more than 7000 years ago. The most prominent feature of agricultural culture is that men plough and women weave. With the premise of relatively developed productivity, women not only weave and sew clothes but also make handicrafts to add fun to life. Through careful observation, they depict, draw, and embroider the most common and abundant materials around them, such as flowers, birds, fish, and insects, which gave rise to and passed down sachets.

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