这些新作灵感来自部落和装饰艺术潮流。它们旨在进一步发展英格丽德·多纳对其起源和根源的艺术探索——留尼汪岛,该岛以火山岩和野生自然景观闻名。艺术家对青铜和深色木材的运用为她的作品增添了庄严且近乎男性化的能量。然而,这一理念与她作品中复杂的图案形成对比,暗示出更为女性化的特质。
These new works are inspired by tribal and decorative art trends. They aim to further develop Ingrid Donard's artistic exploration of her origins and roots—Réunion Island, which is known for its volcanic rock and wild natural landscapes. The artist's use of bronze and dark wood adds a solemn and almost masculine energy to her work. However, this concept contrasts with the intricate patterns in her pieces, suggesting a more feminine quality.
便便·玛雅 161 x 88 x 45 CM
《马桶玛雅》受自然界和生物体影响,是英格丽德·多纳特最新的功能艺术作品之一。
这件雕塑作品的青铜外墙装饰有受古代玛雅人作品启发的实验性机械图案。把手由艺术家用蜡手工成型,皮革包裹的内部压印与马桶青铜表面相同的图案,营造出内外无缝连贯。
"Toilet Maya" is influenced by nature and living organisms and is one of Ingrid Donath's latest functional art pieces.
The bronze exterior of this sculpture is decorated with experimental mechanical patterns inspired by the works of the ancient Maya. The handle is hand-shaped by the artist using wax, and the leather-wrapped interior features imprints of the same pattern as the bronze surface of the toilet, creating a seamless connection between the inside and outside.

女像画人局 155 x 76 x 75 CM



巴雷-福林104.5 x 70 x 10 CM


《便盆乌尼》是英格丽德·多纳特功能性艺术系列“厕所”的最新作品,融合了拟人化灵感与历史意义。乌尼向古非洲部落面具和疤痕文化传统致敬,这深刻影响了英格丽德·多纳特的艺术风格。这种与她个人血统的联系,尤其是与留尼汪岛紧密相连,那里融合了非洲、印度和东南亚文化,赋予她的作品层层意义和象征意义。
'Potty Unni' is the latest work in Ingrid Donat's functional art series 'Toilets,' blending anthropomorphic inspiration with historical significance. Unni pays homage to ancient African tribal masks and scarification traditions, which have profoundly influenced Ingrid Donat's artistic style. This connection to her personal heritage, particularly her close ties to Réunion Island—a place that merges African, Indian, and Southeast Asian cultures—imbues her work with layers of meaning and symbolism.
便盆乌尼140 x 88 x 45 CM

拳击球龙德尔 40 x 110 x 40 CM

奥斯曼银行总经理 240 x 42 x 60 CM


Table Basse Koumba 158 x 45 x 116 CM
《Table Basse Koumba》作为多纳特用几何图案覆盖的宽广青铜画布。精心布置的圆圈在格子线条上,配合桌面斑驳的铜绿,呼应了德国艺术家保罗·克利的抽象艺术。
"Table Basse Koumba" serves as a wide bronze canvas covered by Donat with geometric patterns. Carefully arranged circles on grid lines, combined with the mottled verdigris of the tabletop, echo the abstract art of the German artist Paul Klee.


英格丽德·多纳特的《俄亥俄州福特伊》中,金属与织物形成对比,艺术家利用并置的材料增强对方的图案和质感。Donat拉伸并染色自己的面料,灵感来自传统非洲面料,玩味去除和染色特定线材,创造出她独特的风格化图案。
In Ingrid Donat's "Fordyce, Ohio," metal contrasts with fabric, and the artist uses juxtaposed materials to enhance each other's patterns and textures. Donat stretches and dyes her own fabrics, drawing inspiration from traditional African textiles, playfully removing and dyeing specific threads to create her unique stylized patterns.

俄亥俄州福特伊 87 x 77 x 78 CM
兰佩·托尔泰克采用有机质感的雪花石膏成型,体现了英格丽德·多纳特标志性的抽象图案制作风格。雪花石膏色调以脆弱著称,与灯的坚固青铜底座形成完美却出人意料的和谐。
Lampe Tolteque is molded from organic-textured stucco, reflecting Ingrid Donat's signature style of creating abstract patterns. The delicate tones of the stucco, known for their fragility, form a perfect yet unexpected harmony with the sturdy bronze base of the lamp.
Canapé kapon 绿色青铜 226 x 76 x 96 CM
英格丽德·多纳特在设计特定艺术品或整体室内设计上的严谨体现在对空间、形式和功能的深刻思考中。她那件大型的青铜小点卡蓬(Canape Kapon Vert Bronze)比例设计得恰到好处,既填满了空间,又不占主导,而华丽的布质座椅则很好地支撑在青铜底座上,展现出独特的美感。
Ingrid Donat's meticulous approach to designing specific artworks or overall interior designs is reflected in her profound consideration of space, form, and function. Her large bronze Canape Kapon Vert Bronze is perfectly proportioned, filling the space without dominating it, while the luxurious fabric seat is beautifully supported by the bronze base, showcasing a unique aesthetic.
塔布雷·霍姆部落 55 x 45 x 33 CM

Table de Salle a Manger Facettes PM 290 x 74.5 x 130 CM


女像化与疤痕化长椅 42 x 100 x 54 CM

英格丽德·多纳特设计的“女像化与疤痕化”躺椅(B)结合了优雅雕刻的女像柱雕像与刻痕图案,体现了多纳特对文化和历史典故的深厚欣赏。椅子的设计融合了古代文明元素,与当代框架无缝融合。多纳在青铜工艺上的专业技艺体现在雕刻的细致细节和触感质感中,成为传统工艺如何在现代设计中复兴的鲜明典范。
The 'Feminization and Scarification' lounge chair (B) designed by Ingrid Donat combines elegantly sculpted female-column figures with incised patterns, reflecting Donat's deep appreciation for cultural and historical references. The chair’s design integrates elements of ancient civilizations seamlessly with a contemporary framework. Donat's expertise in bronze craftsmanship is evident in the meticulous details and tactile textures of the carving, serving as a striking example of how traditional techniques can be revitalized in modern design.
便盆斯卡拉比 250 x 90 x 50 CM
《便盆斯卡拉比》是英格丽·多纳特最精致的艺术作品之一,上面覆盖着通过失蜡铸造法实现的几何图案。
内部被抛光为抛光青铜,与黑色框架形成明暗对比,以最大化大马桶的视觉冲击力。艺术家标志性的几何设计覆盖了作品,表达了一种源自自然、语言学和哲学的普世语言,巧妙融合了装饰艺术与新艺术风格。
"The Chamber Pot Scarab" is one of Ingrid Donat's most refined works of art, adorned with geometric patterns achieved through the lost-wax casting method.
The interior is polished to a smooth bronze finish, creating a contrast with the black frame to maximize the visual impact of the large chamber pot. The artist's signature geometric designs cover the piece, expressing a universal language inspired by nature, linguistics, and philosophy, cleverly blending Art Deco with Art Nouveau styles.

拟人化奇丰尼耶 53 x 167 x 40 CM
英格丽·多纳特在这座独特的橱柜中引用了20世纪偶像安德烈·格鲁尔的作品,将他的精神转化为她的青铜设计。这件作品基于格鲁尔的《拟人化奇丰尼耶》,这是一件以女性身体为原型的弯曲柜子,现收藏于巴黎装饰艺术博物馆。多纳特对作品进行了现代化处理,延长了她的《向格鲁尔致敬》中的双腿并突出了腰部,创造出富有感染力的人物形象。
In this unique cabinet, Ingrid Donat references the work of 20th-century icon André Groult, transforming his spirit into her bronze design. The piece is based on Groult's 'Personified Chiffonnier,' a curved cabinet modeled on the female form, now part of the collection at the Musée des Arts Décoratifs in Paris. Donat modernized the work, extending the legs in her 'Homage to Groult' and emphasizing the waist, creating a strikingly expressive figure.

《煤矿女性银行图书馆》是多纳特早期雕塑作品中发展出的女像柱主题的一个例子。长凳的腿部塑造成女性形象,头顶支撑长椅。这类女像柱可以在雅典卫城的厄瑞克泰翁教堂等古典建筑中看到,其柱子被雕塑女性取代。考虑到这些雕像的建筑作用,多纳特为功能性雕塑开辟了早期的道路。
The 'Women of the Coal Mine Bank Library' is an example of the female caryatid theme developed in Donatello's early sculptural works. The legs of the bench are sculpted in the shape of female figures, supporting the seat with their heads. Such caryatids can be seen in classical architecture, such as the Erechtheion on the Acropolis of Athens, where sculpted women replace traditional columns. Considering the architectural function of these statues, Donatello pioneered an early path for functional sculpture.
煤矿女性银行图书馆 160 x 44 x 45 CM

艺术集Chevet 60 x 44 x 60 CM


“妇女厕所”采用青铜制作,青铜是英格丽德·多纳特许多作品的标志性材料。虽然体型庞大沉重,但其粗壮的身躯中却带有微妙的细腻;材料的精细造型如同盔甲,体现了多纳特对媒介的精湛掌握。
The 'Women's Toilet' is made of bronze, a signature material in many of Ingrid Donat's works. Although large and heavy, its sturdy body carries a subtle delicacy; the detailed craftsmanship of the material resembles armor, showcasing Donat's masterful command of the medium.
Commode aux Femmes Beliers 160 x 90 x 50 CM

英格丽德·多纳特构建了一套由青铜、木材、羊皮纸和受疤痕技术启发图案的纺织品丰富了词汇。她的《梅迪恩·卡庞》游走于雕塑与功能艺术之间,以奢华的青铜底座为特色,雕刻精美,体现了艺术家将文化遗产与现代设计美学融合的兴趣。
Ingrid Donath has created a set of textiles enriched with vocabulary, made from bronze, wood, parchment, and patterns inspired by scarification techniques. Her work 'Medien Capon' straddles the line between sculpture and functional art, featuring luxurious bronze bases with exquisite carving, reflecting the artist's interest in blending cultural heritage with modern design aesthetics.
梅迪恩·卡庞 226 x 110 x 75 CM

Table Basse Baka 4 PAN26 134 x 45 x 134 CM

根植于法国装饰艺术,同时也融合了她自身多样的遗产和她所接触的世界文化,融合了多种部落传统的元素。《Table Basse Baka 4 PAN26》体现了艺术家将雕塑实践融入功能性艺术作品的技巧。这张咖啡桌的设计灵感来自艺术家对中非巴卡文化的兴趣。
Rooted in French decorative arts, while also incorporating her diverse heritage and the world cultures she has encountered, blending elements from various tribal traditions. 'Table Basse Baka 4 PAN26' showcases the artist's skill in integrating sculptural practice into functional art pieces. The design of this coffee table is inspired by the artist's interest in the Baka culture of Central Africa.
降落克林姆特 38 x 171 x 3.5 CM
古斯塔夫·克林姆特在内的著名大师的启发。《降落克林姆特》上出现的有机造型完全由青铜制成,向已故艺术家的花卉画作致敬。
Inspired by renowned masters including Gustav Klimt. The organic forms featured in 'Landing Klimt' are made entirely of bronze, paying tribute to the late artist's floral paintings.

Repose-Pieds Ohio造型坚固,采用深金属色调的豪华座椅,中间饰有奢华的金色条纹。配合手工雕刻的青铜腿,覆盖着她标志性的图案,这个脚踏板不仅提供了一个舒适的休息之地,也象征着她对青铜的精湛掌握,赋予其温暖与活力。多纳特出生于瑞典母亲和留尼汪岛父亲的家庭,丰富的血统深刻影响了她独特且富有感染力的风格。
The Repose-Pieds Ohio features a sturdy design with luxurious seating in deep metallic tones, adorned with an opulent golden stripe in the center. Paired with hand-carved bronze legs covered in her signature patterns, this footrest not only provides a comfortable place to rest but also symbolizes her masterful command of bronze, imbuing it with warmth and vitality. Donat was born to a Swedish mother and a father from Réunion Island, and her rich heritage has profoundly influenced her distinctive and captivating style.

Repose-Pieds Ohio 87 x 43 x 42.5 CM
梅卡诺·阿卢银行 190 x 45 x 40 CM



英格丽·多纳是一位法国艺术家,母亲是瑞典人,父亲是留尼汪人。这种文化融合塑造了她艺术与创意美学的独特性,特点是工艺精湛,传统技法与装饰艺术美学的独特融合。
将雕塑实践融入功能性作品的制作中。她构建了一套词汇,融合了青铜、木材、羊皮纸和受疤痕技术启发的图案纺织品。英格丽·多纳的作品根植于法国装饰艺术传统,并融合了她自身多元文化遗产和所遇世界文化的影响,而她的人物和精致图案则受埃贡·席勒、古斯塔夫·克里姆特和阿尔芒-阿尔贝·拉托的影响。传统技法与当代感的和谐融合,彰显了艺术家在焊接和雕刻工艺上的精湛技艺。
Ingrid Dona is a French artist, with a Swedish mother and a Réunionnais father. This cultural blend has shaped the uniqueness of her art and creative aesthetics, characterized by exquisite craftsmanship and a distinctive fusion of traditional techniques and decorative art aesthetics. She incorporates sculptural practices into the creation of functional works. She has developed a vocabulary that combines bronze, wood, parchment, and patterned textiles inspired by scarification techniques. Ingrid Dona's work is rooted in the tradition of French decorative arts, while also integrating her own multicultural heritage and the influences of cultures she has encountered around the world. Her figures and delicate patterns are influenced by Egon Schiele, Gustav Klimt, and Armand-Albert Ratis. The harmonious blend of traditional techniques and contemporary sensibilities highlights the artist's mastery in welding and sculpting crafts.
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