在雅内拉斯收藏中，卢卡斯·雷基亚将巴西石材如大理石、花岗岩和石英岩的坚实感与熔融玻璃的轻盈感结合，采用了与莫尔法收藏相同的技法。石头的密集而庄严的雕塑与透明有机玻璃形成鲜明对比，创造出沉重与光明之间的和谐。玻璃带来透明度和透气性，软化石材的刚性，同时石头提供稳定性和重量。

In the Yanellas collection, Lucas Reggia combines the solidity of Brazilian stones like marble, granite, and quartzite with the lightness of molten glass, using the same techniques as in the Morfa collection. The dense and solemn sculptures of stone contrast sharply with the transparent acrylic, creating a harmony between heaviness and brightness. Glass brings transparency and breathability, softening the rigidity of the stone, while the stone provides stability and weight.

Leve扶手椅 H76 x W80 CM

在Janelas 系列采用稀有的巴西宝石打造，点缀着玻璃开口，带来轻盈感，并与工作室更广泛的实践建立了直接对话。这些“窗户”在很少共存的材料之间产生了张力——石头的重量和刚性，以及玻璃的脆弱和透明——共同创造出既雕塑性质又具建筑感的作品。

The Janelas series is made with rare Brazilian gemstones, accented with glass openings that give a sense of lightness and directly engage with the studio’s broader practice. These “windows” create tension between materials that rarely coexist—the weight and rigidity of stone and the fragility and transparency of glass—working together to create pieces that feel both sculptural and architectural.

Janelas圆筒凳 H42 x D40 x W40 CM

《物质扭曲》是卢卡斯·雷基亚的最新系列，这是一组源自创新研究的作品，融合了传统与实验。这里，熔融玻璃以原始且有机的方式被探索，有意揭示其制作痕迹——气泡、痕迹和细微的不规则，赋予材料几乎触感般、有生命的存在感。

"Material Distortions" is Lucas Reggia's latest series, a collection of works born from innovative research that blends tradition with experimentation. Here, molten glass is explored in a raw and organic way, deliberately showing its making traces—bubbles, marks, and subtle irregularities—giving the material an almost tactile, living presence.

Material Distortions咖啡桌 H38 x W 120 x D 80CM 

莫尔法收藏是工作室开发的首个作品集，首批作品为《莫法第09期》，随着时间推移扩展至包含十二件编号作品，每件作品都反映了系列不断变化的状态。莫尔法这个名字源自的概念——即物质通过玻璃融合过程在不同状态间转换。

Mofa Collection is the studio's first portfolio, with the first batch of works titled 'Mofa Issue 09.' Over time, it has expanded to include twelve numbered pieces, each reflecting the ever-changing states of the series. The name 'Mofa' comes from the concept of materials transitioning between different states through a glass fusion process.

莫尔法收藏 H40 x L 204 x W42CM

Eche沙发 W67 x L280 x D95 CM

与雷基亚更广泛的作品一样，《埃切》反映了通过材料不断追求变革的过程。青铜的坚实与纺织品的触感温暖相结合，作品在雕塑感与感官亲密之间取得了平衡。

Like Reggia's broader body of work, 'Etche' reflects the ongoing process of seeking change through materials. The solidity of bronze combined with the warm touch of textiles creates a balance between sculptural presence and sensory intimacy.

Eche扶手椅 W95 x D82 x H67 CM

Eche躺椅 L206 x D 98 x H67 CM

在雅内拉斯收藏中，卢卡斯·雷基亚将巴西石材如大理石、花岗岩和石英岩的坚实感与熔融玻璃的轻盈感结合，采用了与莫尔法收藏相同的技法。石头的密集而庄严的雕塑与透明有机玻璃形成鲜明对比，创造出沉重与光明之间的和谐。

In the Yaneras collection, Lucas Requia combines the solidity of Brazilian stones like marble, granite, and quartzite with the lightness of molten glass, using the same techniques as in the Morpha collection. The dense, majestic sculpture of the stones contrasts sharply with the transparent acrylic, creating a harmony between heaviness and brightness.

Mipa 长凳H42 x L 160 x W42 CM

Arco边桌 H49.5 x W40 x D 30.5 CM

拱形桌从建筑中汲取灵感，将形态简化为单一拱形支撑桌面。其优势在于简洁，无论是带有丰富包浆的青铜还是抛光铝材，都能让材料自我表达。该作品强调了结构与纯粹之间的张力，连接了建筑的严谨与雕塑的本质。

The arched table draws inspiration from architecture, simplifying its form into a single arch supporting the tabletop. Its strength lies in its simplicity—whether made of bronze with a rich patina or polished aluminum, the material speaks for itself. This piece highlights the tension between structure and purity, linking the precision of architecture with the essence of sculpture.

Bic 边桌 H60 x D34 x W34 CM

Formas咖啡桌 H45 x D 53 x D30 CM

“Caco”边桌 H45 X D30 X W30 CM

“Caco”是巴西语中“碎片”的意思。在这件作品中，卢卡斯·雷基亚深入探讨玻璃的表现潜力，探讨破碎玻璃美学所唤起的情感：失落与转变的双重感受。破碎的物体不再只是“存在”，而是开始成为新事物的过程。这件作品采用废弃的工业玻璃制作，发展出回收工艺。

"Caco" means "fragment" in Brazilian Portuguese.  

In this piece, Lucas Requia deeply explores the expressive potential of glass, examining the emotions evoked by the aesthetics of broken glass: a mix of loss and transformation. The shattered objects are no longer just 'existing'; they begin to become part of a process of creating something new. This work is made from discarded industrial glass, developing a recycling technique.

Bulle咖啡桌 H50 x W 38 x D33CM

莫法收藏是工作室开发的首个作品集，首批作品为《莫法》第03期，随着时间推移扩展至包含十三件编号作品，每件作品都反映了系列不断变化的状态。莫尔法这个名字源自的概念——即物质通过玻璃融合过程在不同状态间转换。

Mofa Collection is the first portfolio developed by the studio. The first batch of works was Issue 03 of 'Mofa.' Over time, it expanded to include thirteen numbered pieces, each reflecting the ever-changing states of the series. The name 'Mofa' comes from the concept of matter transitioning between different states through the process of fusing in glass.

Mofa咖啡桌 H40 x W 55 x D40CM

Mosaic边桌 H37 x W 39 x D 39 CM

Três Pés桌子结合了三块吹制水晶底座和熔融玻璃桌面，融合了Morfa和Bulle系列中探索的技艺。最终呈现出一件平衡结构强度与玻璃流动光泽特性的作品，体现了工作室语言的实验本质。

The Três Pés table combines three blown crystal bases with a molten glass tabletop, blending the craftsmanship explored in the Morfa and Bulle series. The result is a piece that balances structural strength with the flowing shine of glass, reflecting the experimental nature of the studio's style.

Zel边桌 H45 x W 42 x D 34 CM

Zel系列延续了Morfa系列中首次发展的实验语汇，这次将玻璃与金属融合于一体作品中。这些作品设计为侧桌和咖啡桌，引入了工作室此前未尝试的形式——几何结构以及受自然启发的具象元素。

The Zel series continues the experimental vocabulary first developed in the Morfa series, this time combining glass and metal into the pieces. These works are designed as side tables and coffee tables, introducing forms the studio hadn't tried before—geometric structures and nature-inspired figurative elements.

Zel 咖啡桌H34 x W115 x D79 CM

Janelas 餐桌 H75 x D130 CM

作为一场雕塑式的平衡探索，这件作品挑战了将石头视为静止且不可改变的传统观念，展现出运动感、流畅感和几乎触感柔软的感觉。通过复杂的雕刻工艺和精心设计的比例，材料似乎弯曲并溶解成连续的曲线，创造出一种在力量与细腻之间摇摆的视觉语言。

As a sculptural exploration of balance, this piece challenges the traditional view of stone as static and unchangeable, showing a sense of movement, flow, and an almost soft, touchable feel. Through intricate carving and carefully designed proportions, the material seems to bend and dissolve into continuous curves, creating a visual language that swings between strength and subtlety.

Equus控制台 H86 x W300 x D54 CM

Helo桌子 H65 x W 121 x D 53 CM

Janelas 控制台 H70 x L160 x D 45 CM

Bulle桌子 H30 x L 136 x D 60 CM

每件作品都被熔融玻璃流畅的笔触塑造，捕捉了这门流传数百年的工艺生命力，同时彰显出鲜明的现代气息。凭借雕塑般的特色和明亮的表面，布勒餐桌既是对遗产的致敬，也是创新的宣言。

Each piece is shaped by the smooth strokes of molten glass, capturing the vitality of this centuries-old craft while showing a distinctly modern vibe. With its sculptural features and bright surface, the Bulle dining table is both a tribute to heritage and a statement of innovation.

争议系列诞生于对立物质语言之间的张力，将铝、青铜和手工铸造玻璃融合在一起，创作出挑战平衡、结构和感知的构图。该系列以雕塑般的轮廓和对比的质感为特征，将金属的冷峻精准与玻璃的流动有机特性并置，创造出既宏伟又精致的作品.

The Controversy series was born from the tension between opposing material languages, combining aluminum, bronze, and hand-cast glass to create compositions that challenge balance, structure, and perception. The series features sculptural silhouettes and contrasting textures, juxtaposing the cold precision of metal with the flowing, organic qualities of glass to create pieces that are both grand and delicate.

Controversy咖啡桌 H30 x W 100 x D100 CM

Janelas咖啡桌 H35 x W 120 x D 120CM

Janelas 咖啡桌 H35 x W140 x D62CM

Janelas 系列采用稀有的巴西宝石打造，点缀着玻璃开口，带来轻盈感，并与工作室更广泛的实践建立了直接对话。这些“窗户”在很少共存的材料之间产生了张力——石头的重量和刚性，以及玻璃的脆弱和透明——共同创造出既雕塑性质又具建筑感的作品。

The Janelas series is made with rare Brazilian gemstones and features glass openings that add a sense of lightness, creating a direct dialogue with the studio’s broader practice. These “windows” create tension between materials that rarely coexist—the weight and rigidity of stone and the fragility and transparency of glass—working together to produce pieces that are both sculptural and architectural.

卢卡斯·雷基亚是一位巴西设计师，他的创作风格在雕塑与家具之间游走，并以对材料的深入探索为指导。他的作品以玻璃、青铜和石材的实验为特征，探索了熔融和热成型等工艺，这种技术在设计中罕见。通过这些工艺，他创造出展现透明、色彩、质感和受控瑕疵的表面——这些特征已成为他的标志性特征。

Lucas Requia is a Brazilian designer whose creative style moves between sculpture and furniture, guided by a deep exploration of materials. His work is characterized by experiments with glass, bronze, and stone, exploring techniques like melting and thermoforming—processes that are rare in design. Through these methods, he creates surfaces that showcase transparency, color, texture, and controlled imperfections—features that have become his signature.